Monday, 14 May 2018

Parquet Courts - Wide Awake! - Album Review

It's me again. This latest album by Parquet Courts is my favourite album of the year so far!

Parquet Courts

Wide Awake!
Release Date: 18th May
Louder Than War Bomb Rating 5
This stunning new album by New York’s finest will set your ears alight with it’s vast array of sound on their finest moment, having honed that clever song writing craft with a little help from Danger Mouse.
Wide Awake! is New York’s Parquet Courts’ fifth record since their formation eight years ago. It’s also their most groundbreaking. It’s an album about independence and individuality but also about collectivity and communitarianism. Love is at its centre. There’s also a freshness here, a breaking of new territory that’s testament to the group’s restless spirit.
In part, this may be attributed to the fact that it’s produced by Brian Burton, better known as Danger Mouse, but it’s also simply a triumph of their songwriter’s art. The songs, written by Austin Brown and Andrew Savage are filled with their traditional punk rock passion, as well as a lyrical tenderness, but are elevated to even greater heights by the dynamic rhythmic propulsion of Max Savage (drums) and Sean Yeaton (bass).
The plan from the start was to introduce new musical ideas previously unexplored by the band. These were varied. For Brown, a few of the touchstones were Grace Jones, The Upsetters, Townes Van Zandt, Parliament and Augustus Pablo. For Savage though, the soundtrack to the sessions in Electric Lady Studios in New York and later at Sonic Ranch in Texas, was different.
“I found myself listening to a lot of ‘80s American punk,” he explains, “I’m talking about Big Boys, Minutemen, The Dicks, Flipper. Bands that were no doubt punk but don’t quite fit in. I’ve always loved the playfulness of Minutemen and Big Boys, and especially the way the latter mixed funk into their sound.”
It all kicks off (wait for it…) with Total Football a punky anthem typical of the Courts and lyrically gives a nod to creative and inspiring individuals and is named after the Dutch theory of soccer and has an almost terrace like chant in the chorus.
Violence is an excellent track with it’s spoken word proto hip hop sound and explores how violence is accepted as casual and part of every day life, ie; the recent shootings in the USA being a footnote. It also has that classic New York sound as does next track Before The Water Gets Too High with it’s clever lyrics and more chilled out beats going back to the ballad like tunes on Human Performance.
Mardi Gras Beads is another ballad type tune and has a mellow stoned out groove with an excellent guitar hook added to give you a rush. It’s a song that Brown says he’s always wanted to write but never had the courage. I love it!
Almost Had to Start A Fight / In & Out Of Patience is my standout track on the album and one of those songs that grab you after one listen. It’s a NY punk stunner that rolls into a Fall like garage stormer which Mark E Smith would gladly put his name on. It ends bizarrely like a live track to introduce the next hit Freebird II which sounds fuck all like Freebird by the way and chugs along nicely.
Normalization starts as a Talking Heads style number but gets far too funky for its liking and makes me want to dance like a muthafucka. My legs are wiggling typing this just thinking about it. Definitely got some Funkadelic in there but punked up.
Next up Back To Earth just totally confuses the shit out of me as it’s nothing like anything they’ve done before. It’s a stone cold dub reggae wonder with brilliant lyrics. It reminds me of the scene from the Young Ones (80’s comedy classic kids!) where the hippy floats back down from the moon after hitting the bong.
Wide Awake! if you’ve not heard it yet is an upbeat funk number with the disco overtones and whistling to give it that party sound which has Danger Mouse written all over it. A tune for the summer festival crowd. Then NYC Observation is a short punk number that takes you through the streets of New York, taking in the sights and smells of the mean streets, and lyrically is, well, a NYC observation!
Extinction is another stand out tune, fusing punk with funk and lyrically the epitomy of what the Courts stand for, songs about emotion and stepping out of that comfort zone to good effect. Death Will Bring Change again changes tract and has a 15 strong Upper East Side boys choir singing the chorus to great effect with it’s lyrics about life and death.
The album finishes strongly with Tenderness, an upbeat song which starts off sounding like George Michael recording with Warren Zevon, a summery funky upbeat number about spreading some tenderness around to everyone leaving you feeling happy in yourself.
I’ve followed Parquet Courts since their amazing debut album. I can honestly say I thought they’d never match the likes of Light Up Gold but this is genuinely their best album to date, ambitious, diverse, one of those ‘you can’t pigeonhole’ bands that keep on amazing me. This is probably their most accessible effort to date and should hit all the clubs with it’s punk funk sound and disparate theme. One of the best albums this year!

You can pre-order the album here
They don’t do Facebook or Twitter apparently…
Words by Wayne Carey who writes for Louder Than War. 

Wednesday, 2 May 2018

Frank Turner - Be More Kind - Album review.

Latest album review!

 Frank Turner
Be More Kind
Release Date: 4 May 2018
The punk folk chameleon is back in fine form with his seventh solo album and it sounds refreshing and summery despite the songs themes dealing with  this crazy world in which we live. Wayne Carey reviews the Frank Turner’s latest outpourings.
Three years on from his last solo album Frank has definitely not been having a break. His gig count has gone up to over 2,100, he’s reworked his old material on the release of Songbook last November and brought back Mongol Horde for a few dates earlier this year.
Turner was halfway through writing a very different sort of album, a concept record about women from the historical record who had been ignored, when he was reading a collection of Clive James’ poetry and one particular line compelled him to re-think his direction. It was from a poem called Leçons Des Ténèbres: “I should have been more kind. It is my fate. To find this out, but find it out too late.” “It devastated me the first time I read it,” he says. “A lot of older, wiser people tend to say things like that, that the things that come out in the wash at the end of a human life are the way you treated the people around you. In the modern world, that’s a lesson that all of us, myself included could do to learn.”
Turner and his band, the Sleeping Souls, were on tour in the USA in 2016 “when the world decided to go collectively nuts” and the songs that make up Be More Kind started to come together. “Somewhere in the record, there’s a convergence of the ideas of personal and political, which is a central theme of the album,” Turner says. One of the driving themes of the album is empathy, even for your enemy. “You should at least be able to inhabit the mental universe of the people you disagree with. If you can’t do that, then how do you communicate with people other than through force of arms, which is something we all agree is a bad idea.” Behind some of the best songs of Turner’s career is the idea that the human race needs to find better ways of disagreeing than screaming each other down. Turner’s last two records, 2013’s Tape Deck Heart and 2015’s Positive Songs For Negative People, dealt with the fallout from a break-up and saw Turner struggling to cover the cracks in his personal life. Now happily in a relationship and living with his partner and their cat, he again set his sights to the bigger picture.
After the stripped-down, live-sounding Positive Songs…, Turner wanted to try a new approach for the record. Originally, he contacted Jenkins and Block at their Niles City Sound studio in Fort Worth, Texas with the idea of recording a white soul album in the vein of Dexys Midnight Runners. He found they were equally enthusiastic when he changed his mind and decided he wanted to record a more rock-led album with tints of electronic-pop. “I have an obscure corner of my music taste where I’m into glitch electronic music and Warp Records,” says Turner. “It’s not an electronic record but I got into arpeggiator synths.” Positive Songs… was cut in nine, intense days whereas Be More Kind was made over a period of seven months, giving Turner the opportunity to turn songs on their head, try different versions and shake up the dynamics within his band.
Be More Kind is a big shift from his earlier material with a lot of experimenting going on using new ideas. It’s definitely no Mongol Horde or Aphex Twin although he has used some new techniques to change his earlier sound.
It starts with Don’t Worry which builds up into a crescendo of clapping and gospel overtones mixed with that familiar FT mantra. 1933 is the closest you’ll get to a ‘punk’ song on the album (besides 21st Century Survival Blues) and is a good sharp witted dig at the politicians and the world in their bubble.
Little Changes is a cracking little pop song and you can tell he’s been listening to 80’s pop for some inspiration. . It started out as a simple folk song about relationships, in particular drawing on his experiences with CBT therapy in the last couple of years – the idea of trying to make small, practical adjustments to your life. A great track for the summer.
Be More Kind is more back to his folk roots and is quite straight forward but hits the heartstrings with it’s beautiful melodies. Lyrically, it draws on Clive James’ poem “Leçons Des Tenebres” and Kurt Vonnegut, and theoretically ends up somewhere simple but powerful.
Make America Great Again is a song aimed straight for the indie pop jugular and is a call to the people to make the racists ashamed again, a good call in these recent times. The sentiment gathered itself as he was on the road in the USA in August 2016, during the election campaign. He’s a huge fan of America, its people and its culture, and finds the current nativist outbreak pretty dispiriting – not least because they’ve so obviously misidentified what’s “great” about America, historically and conceptually.
Going Nowhere continues the theme and is a straight up folk love song. Not all of the album is trying to be in radically different musical territory. The line “In there like swimwear” is an expression that Americans haven’t generally heard before, which Frank enjoys.
Brave Face is Frank’s turn on a road trip style song recapturing his travel across the USA and is a cracking folk rock number. There She Is has lots of influences flying around with an 80’s pop feel and more charming melodies. The stand out track for me has to be 21st Century Survival Blues which is classic FT, the sort of song that got me into his music in the first place, that punk folk sound with clever lyrics. Will go down great live with The Sleeping Souls. I also rate Blackout, good guitar licks and the lyrics about a power cut that gives you the image of the council estate blackouts in the late 70’s and 80’s (if you’re an old bastard like me).
The last three songs Common Ground, The Lifeboat and Get It Right are all heartwarming folk songs that take you to lazy summer days with a cold lager. It leaves a good feeling and you know Frank hasn’t just stalled in the songwriting stakes just yet. This album would be a good introduction to new listeners and has more diversity than his earlier stuff. Another winner!

Pre-Order the album here:
A nice guy all round and a songwriter to be cherished. Frank Turner is still touring with The Sleeping Souls and you can catch him at the dates below.
May 2018
1st – Southampton Guildhall.
2nd – Southend Cliffs Pavilion.
4th – Leicester O2 Academy.
5th – Oxford O2 Academy.
8th – Hull City Hall.
9th – Norwich UEA.
11th – London Roundhouse.
Jan 2019
22nd – Birmingham Arena.
25th – Victoria Warehouse Manchester.
27th – Leeds First Direct Arena.
29th – O2 Academy Glasgow.
Feb 2019
1st – Bournemouth Windsor Hall.
2nd – Cardiff Motorpoint Arena.
3rd – Alexander Palace London.
The Frank Turner website is  here
He is also on Facebook  and Twitter
Words by Wayne Carey who writes for Louder Than War. His author profile is here and you can catch his blog at

Brix & The Extricated / Blanketman - The Ruby Lounge Friday 27th April

My latest live review people!

Brix & The Extricated / Blanketman
The Ruby Lounge, Manchester
Friday 27th April
Back on home turf the wonderful Brix & Co kick out their post Fall new wave stuff to a delighted home crowd and some rather excited stage invaders!
Last time I was in The Ruby Lounge was to see my favourite Manc band at that time (I’ll let you guess…) and discovered a gem of a venue.
This time I arrive just as local support band Blanketman hit the stage. Their frontman is like a reincarnation of Ian Curtis and their dark post punk sound is similar in many ways, not that they are copyists as their tunes prove and they will be local favourites for the future. They do a short set that gets the young and old (that’s me) music fans going and please everyone with their dark pop stuff. They air new single as the encore ‘The Long Arm Of Entrapment’ and Adam Hopper wears his guitar almost under his chin battering those strings and looks intense and brooding with his I.C. mannerisms.

Next up comes the gift of 3 ex Fall members, with Paul and Steve Hanley being the powerhouse of rhythm, added by Jason Brown and Steve Trafford fronted by a Blondie-esque Brix kicking it with style. They play most of their excellent album and have the place bouncing with their glam racket (ha!). Obviously there are a few Fall numbers in there including an excellent Dead Beat Descendant, US 80’s 90’s, and LA. A few new tracks were aired and sound promising. Damned For Eternity goes down a storm and we are treated to a couple of young fans (Emily and Eden who I chatted with later) getting on the stage and getting booted off by security. Hollywood is fuckin ace live as is Valentino and Brix looks like she has a new lease of life with The Extricated. Sadly we’ll never see The Fall again with Mark E Smith so this is like a breath of fresh air knowing that the Hanley brothers and Brix can keep the torch going and play live like this for young and old alike. Highlight of the night for me was New Big Prinz as the encore after a frenetic Totally Wired. Emily and Eden were invited back on stage by Brix and danced like maniacs as she lost her shit to the dynamics of one of The Falls finest moments from I Am Kurious Oranj. A delightful night and a step back in time with some classics thrown into the mix of a great debut album by these Manc legends. Bring on the next album.

Blanketman Facebook
B&TE Facebook
Words by Wayne Carey who writes for Louder Than War. His author profile is here and you can catch his blog at

Monday, 23 April 2018

The Slow Readers Club: Build A Tower - Album Review

Alreet there! Another great Manchester band that are destined for big things.

The Slow Readers Club.

Build A Tower.
Modern Sky Records.
CD/DL/Vinyl (Limited Edition).
Release date: 4th May.
Louder Than War Bomb Rating 4
Manchester has some strong talent around these days and The Slow Readers Club are on par to join the likes of Blossoms and Cabbage. The third album from the indie electro Manc four piece should see them propelled into the indie mainstream with their dark and sophisticated anthems.
Slow Readers have been building up momentum for quite a few years now with a cult following of fans growing and growing due to their Killers / Editors type tunes and support slots with the likes of big hitters James and Catfish & The Bottlemen. They have a large sound which is down to the polished production duties of Phil Bulleyment (Gaz Coombes, Dutch Uncles) and some of the songs sound like anthems  made for the larger venues. It’s as if their first two albums were a build up to the one that will surely have them on major radio rotation and if that’s what they are after that’s fine. There will be the usual music snobs out there who will have their gripes…. do they matter? Since their debut in 2011 they have honed their sound with skill and experience as can be heard on this latest piece.
It all kicks off with first single Lunatic,  all keyboards and techno style beats layered with a great guitar sound and dark lyrics reminiscent of Curtis “Build a tower, hundred storeys high, lock myself in, isolation” It’s a great start for Aaron and company. Next song Supernatural wouldn’t look uncomfortable on a Foals album with that guitar sound and groovy beat. They may have dark lyrics but the sounds are instantly infectious. You Opened Up My Heart is like listening to The Killers, or Interpol on e-numbers kicking in with a nice New Order-esque drum beat and a guitar riff that reminds me of the theme tune to Knight Rider! It has a cracking chorus that will be ringing around the festival circuit in a raucous sing along. Never Said I Was The Only One has a Julian Cope feel to it as Aaron has that same vocal range quality and it reminds me of early Teardrop Explodes stuff. On The TV is another future anthem and in the same line as Foals / Maccabees type indie offerings is catchy as fuck. They continue in a similar vein with tracks like Lives Never Known, the excellent single Through The Shadows and more. The only disappointment for me is the last track Distant Memory which trundles of into nowhere and stops the album from getting a 5 bomb review for me.

Have The Readers finally made the album that shoots them into the big indie league? They sound like so many other bands like Editors, Foals, New Order, The Maccabees, The Killers, Interpol, however they have made their own niche in the scene and can write a good anthem with ease. Personally I think this is going somewhere as their sound and production qualities are up there and this could easily sit in a lot of commercial indie heads record collection. And if they can sell out the Albert Hall in Manchester just by word of mouth you can see the bigger venues and large festivals beckoning. A refreshing band that are poised for the jump!
Official Website:
26th – Cardiff, Globe
27th – Southampton, Engine Rooms
28th – Leeds, Brudenell Social Club
4th – Manchester, Cathedral
5th – Liverpool, Sound City Festival
6th – Glasgow, Stag & Dagger Festival
10th – Newcastle, Riverside
11th – Hull, The Welly
12th – Nottingham, Rock City
17th – Wolverhampton, Slade Rooms
18th – Norwich, Arts Centre
19th – Northwich, Library (The Charlatans Northwich homecoming)
25th – London, Islington Assembly Hall
26th – Stoke, Sugarmill
Tickets are available here.

Monday, 16 April 2018

Steven VX & The Art Rats : D.N.R - Album Review

New punk duo from Belfast enter stage!!

Steven VX & The Art Rats: D.N.R – Album Review

Steven VX & The Art Rats
Out now – CD/DL
Debut album from Belfast duo hits the streets with a shot of adrenaline for the punk junkies out there with some youthful anger.

For those who don’t know out there Steven Donnelly was once the frontman of highly rated Belfast rockers VX and has been been a fixture on the local Belfast scene ever since. He dabbles in a bit of everything including his band, photography, gig promoter and DJ. Now teaming up with Andy VX as The Art Rats this release packs quite a punch.
It kicks off with a nice slice of feedback and news commentary before the heavy riffs kick in on Strip with Steven giving it some welly in the shouting stakes. There’s no stopping as they blast straight into MGD another punk roller with bollocks and then go full pelt again with next track Vaccine. Three decent enough songs blared out in a youthful angst fashion that are probably already going down well live across the water. They slow down a bit with a short intro which leads into Daydreamer, a dub laden punk groove which blows up quite quickly about a third through with their heavy guitar routines. Nightcrawler is next with it’s lyrics about paranoia and rats in sewers layered with pummeling guitar and drums. They finish off with a couple of punk standards including the excellent Crave which reminds me of Gallows and the heavy Trespass which rumbles towards the finale an acoustic D.N.R which somehow doesn’t quite fit with the album, or maybe I just don’t get it?
Coming in under 30 minutes this is a joy for old school punk fans and they will probably be a fixture at the punk festivals when they finally arrive over here. Think of The Bronx, Slaves, Ruts DC and you’re getting there.  They’ve already supported Steve Ignorant and are starting to make waves on the punk scene as I speak!

You can catch the band on Facebook 
Album is available on Bandcamp and Amazon.
Words by Wayne Carey who writes for Louder Than War. His author profile is here

Thursday, 5 April 2018

Chameleons legend reveals his fave albums

Mark Burgess decides to tell me his favourite albums! 

Mark Burgess has always been an icon on the music scene due to the amazing work he did as frontman with The Chameleons. Their album Script From A Bridge influenced so many people and was a debut up there with the best of the best. He still keeps at it as Chameleons Vox and will be starting a European tour this month. I spoke to Mark about the albums that influenced him and those that have made a mark during his years of touring, and still holding that post-punk torch, keeping The Chameleons sound alive and kicking.

Please Please Me – The Beatles

First album I ever owned at the age of four, a present from my Nan. Hamburg Beatles always remained my favourite period, very Punk attitude and really classic 60’s pop tunes, unpretentious and masses of energy. Fave track: Do You Want To Know A Secret, showing Lennon & McCartney genius from day one.

The Doors – The Doors

By the age of nine I was buying my own records. I’d come across this bunch listening to radio Luxembourg, a pirate station that broadcast during the early hours when I’d be left alone without a sitter. I just loved the weirdness of it, unearthly with that haunting voice. Beautiful. Fave track Break On Through.

Electric Warrior – T.Rex

I loved  Tyrannosaurus Rex, whose records I’d heard on John Peel’s show around 1970, but it was 1972 I believe when I finally went and bought a T.Rex record. This one. I’ve still got my original copy although over the years I’ve had to add a few more because I wore it out so much. I got the remastered CD set, which is fabulous for all the extra stuff, music and promo, but the 180 gram double vinyl remaster that includes the demos is the best of the lot. Fantastic production and string arrangements from Tony Visconti giving it its raw edge. The most live sounding album he made.  Favourite track: Ripoff.

Alice Cooper – Schools Out

Saw this guy for the first time on the Old Grey Whistle Test performing a track from their album ‘Killer’ and he scared me to death, in a good way. Killer is a fabulous album – Bob Ezrin actually gave me his own copy and signed it after I was lucky enough to a share a dinner table with him one evening, but I’ve gone for the follow up because it had a huge impact on me as a kid. My first portable cassette player came that Christmas and I played this album on that machine solidly for about a year. People came to forget that actually Alice Cooper was a BAND, and what a brilliant band they were my favourite out and out rock band of all time. Fave track – Blue Turk.

Propaganda – Sparks.

I could easily have chosen a dozen albums by this duo from their first record first to the most recently released ‘Hippopotamus’, which came out just last year, but I have to go for this one. Like ‘Kimono My House’, the album that preceded it – regarded by many as their best -Propaganda bristles from start to finish at a breakneck pace. I actually followed both those tours around North West England aged 13, lying to my parents about staying over at a friend’s place, so they wouldn’t report me missing to the local police. Simply the most original and intelligent pop music ever produced and probably my most favourite pop act ever. produced and probably my most favourite pop act ever. Fave track: ‘Don’t Leave Me Alone With Her’. What a chorus!

David Bowie – Station To Station

Again I could have picked at least a dozen albums by this guy in his various guises, from Space Oddity all the way to Blackstar, released just after his death, a day I prayed would never come. He and Marc Bolan were such huge influences on me as a kid, and Bowie continued to be so for most of my life. Bowie’s voice on this record is just fabulous and his persona more alien than ever, while the writing is on a whole higher level than anything that had come before. Listened to it three times a week for free at the old Virgin Record shop on Oldham Street until I’d saved enough money to finally buy it. Fave Track: Station To Station

The Sex Pistols – Never Mind The Bollocks Here’s The Sex Pistols

A breath of fresh air to everyone with the possible exception of Tony Blackburn and most of the House of Commons, who actually held a debate in Parliament over what to do about this obvious threat to the fabric of British 1970’s society. One of the best bands I’ve ever seen, certainly in the top five and anyone who says this band couldn’t play don’t know what the fuck they’re talking about. Fave track: Bodies.

Damned Damned Damned – The Damned.

The first Punk Band I ever heard on the radio, again courtesy of the Pirate Radio Luxembourg, and the first Punk band I actually ever saw. My favourite memory though is of the band opening for T.Rex at Manchester Apollo. This album is one the purest rock and roll albums ever made, the golden age before the departure of Bryan James. Fave track: Fan Club

Rattus Norvicus – The Stranglers.

More genius songwriting from the immense Hugh Cornwell, coming across as a kind of Punk Incarnation of The Doors at times. One of the bands that made me want to pick the bass up. I’d play along to this record at 78rpm so I could learn to play faster! Fave track: Goodbye Toulouse.

Live At The Witch Trials – The Fall.

One of the best incarnations of The Fall ever and my personal favourite from all the hours and hours of brilliance across the years, mainly for the memories of Manchester that it continues to evoke in me, the golden ages of the Manchester Underground. Fave Track: Rebellious Juke Box.

Metal Box – Public Image Ltd.

Another aid in my struggle to be a bass player, playing along to Jah Wobble and demolishing all the knick-knacks on a neighbours wall three doors down in the process. The only album I ever enjoyed listening to on weed. Fave track: Careering.


One of the great things about being an avid fan of The Old Grey Whistle Test is that occasionally you got to discover bands like this. Absolutely brilliant band and criminally underrated and ignored. I remain a Jon Foxx fan to this day. Hate what the band became, to be honest but nothing can take away the sheer brilliance of those first three albums. Fave track; Wide Boys

Gary Numan – Are Friends Electric.

Without Ultravox, we wouldn’t have had this fella, chosen because personally, I think it contains one of the greatest pop singles ever made. Fave track: Are Friends Electric

The Best Thing – Grow Up.

Joy Division and Factory Records seem to hog the limelight when it comes to Manchester’s legacy, few remember that they were only one of a number of cool Indie labels in the city back then. Chief amongst them Object Music with the fascinatingly original Spherical Objects At it’s centre. One of those guys, John Bisset Smith formed his own project, Grow Up, the only person who could ever out Morrissey Morrissey. When Peel got this album he played it from start to finish during a single broadcast and I don’t blame him. Fave track – Dear Isobelle.

The Hounds Of Love – Kate Bush.

First record I ever bought on CD and I still have it and it doesn’t even skip. Fell in love with her at Wuthering Heights, but this album is a masterpiece from start to finish. A true Anglo-Saxon Goddess. Fave Track -Cloudbusting

Grace – Jeff Buckley.

As a singer, it’s hard to listen to this man and not think, ‘well I might as well just pack it in now because what’s the fuckin’ point?’ Absolutely sensational but one of those voices you’re either going to love or hate, I’m obviously of the former. For me this is a perfect album and while it’s always sad to lose a genius to the grim reaper, JEFF’s untimely demise is particularly tragic and hard to take. Fave track – Grace.

An End Has A Start – Editors.

Just love this band and respect them enormously. Probably the one lyricist I regard as a kindred spirit when it comes to themes. Great guitar, great vocals, great sense of melody. Just majestic. Fave track: The Weight of the World.

Bloom – Beach House.

Another great and beautifully original American band of the more contemporary variety. Great in the car at night on those long drives up and down the motorway. I’ve gone for ‘Bloom’ because it contains their finest moment, the epic single and…..

….. my fave track ‘Myth’

I’ve missed loads and I could carry on like this for hours, so I’m going to end it with one of my favourite contemporary bands Radiohead, and again while I could easily have chosen any one of at least half a dozen of their records I’m going for……..
…….. In Rainbows.  I think it’s possibly the best of the bunch and I was invited, like millions of others, to pay whatever I wanted for it. Having not heard it I sent them 15 quid and it was worth every penny, most I believe elected to give them nothing, a fact I find utterly disgusting. One of the greatest bands EVER.

Fave track – Reckoner.

Mark is on tour with Chameleons Vox from the end of the month. All dates are above.
Wayne Carey – Louder Than War.

Wednesday, 21 March 2018

Cabbage press release

One of my reviews quoted in a press release!!

“indie scuzz heroes” **** Q
“a punk blast with thrilling riffs and screaming choruses”
9/10 Louder Than War
Cabbage have announced a ‘Nihilistic Glamour Shots’ Art Exhibition at Manchester Art Gallery on Tuesday April 3. The exhibition will feature paintings, sculptures, and installations inspired by Cabbage’s debut album ‘Nihilistic Glamour Shots’, plus live performance art from Kallum Nolan and a stripped back live performance by the band.
Dear the internet and all those semi conscious. It gives us great pleasure to announce ‘Nihilistic Glamour Shots: Art Exhibition’ on Tuesday 3rd April. We will host an evening at Manchester Art Gallery where we will reveal the autopsy of our debut record and produce pieces ranging from performance art, paintings, sculptures and installations that coincide with each track on the album. The experiment itself will be documented by our dear lens coordinator Kallum Nolan and all members will be taking part in the performance. The evening will also us performing a live stripped back show. There are a limited amount of tickets due to the size of the venue so to all who find a deep interest in scrap books and bathtubs make haste for the tickets. Keep yer eyes peeled for more information. MUA! x
Cabbage will feature in the upcoming Radio 4 documentary ‘The Art of Now: Band Politics’. The ‘Art Of Now’ series sees BBC 6Music’s Chris Hawkins look at bands at the forefront of a new wave of interest in politics, including Nadine Shah, Cabbage and Life, and considers if changes in the music industry could be shaping their political and social outlook. The documentary airs on March 22 at 11.30am on Radio 4.
Containing the BBC 6Music playlisted singles ‘Gibraltar Ape’, ‘Celebration Of A Disease’ and ‘Arms Of Pleonexia’, ‘Nihilistic Glamour Shots’ is released March 30 on Infectious Music. Produced by James Skelly and Rich Turvey (Blossoms, The Coral, She Drew The Gun) at Parr Street Studios in Liverpool, ‘Nihilistic Glamour Shots’ is an album that confirms Cabbage as one of the most nuanced bands in years. Equally drawn to socialist politics and mucking about, they’re devotees of both big choruses and anarchic totems like GG Allin, Genesis P Orridge and Butthole Surfers.
While it broadens Cabbage’s sound further still from their already eclectic previous five EPs, ‘Nihilistic Glamour Shots’ also does a superb job of capturing the raw energy of their freewheeling live shows. The band have kept the gigs fresh partly by theming each tour, with autumn’s Healing Brexit Towns Experiment living up to its name.
Cabbage recently finished the first leg of their 2018 UK tour, including a sold-out show at London’s 100 Club. They embark on further dates in April following the release of the album, with support from She Drew The Gun. On May 19, the band will curate ‘Glamour At Thee Ritz’ at Manchester’s O2 Ritz. Starting at 5pm and headlined by Cabbage, the event across 2 rooms at The Ritz will feature PINS, The Blinders, Rhythm Method, Witch Fever, Lady Bird, Sports Team + more to be announced over the coming weeks.
April 4 Aberdeen, The Tunnels
April 5 Edinburgh, The Mash House
April 6 Kendal, Brewery Art Centre
April 7 Middlesbrough, Westgarth Social Club
April 11 York, The Crescent Community Venue
April 12 Leicester, Dryden Street Social
April 13 Norwich, Norwich Arts Centre
April 14 Coventry, Empire
April 18 Oxford O2 Academy 2
April 19 Cardiff, Clwb Ifor Bach
April 20 Brighton, Patterns
April 21 Portsmouth, Wedgewood Rooms
Main support on all April dates (except 21st): She Drew The Gun
May 19 Manchester O2 Ritz, Cabbage Present… Glamour At Thee Ritz
Also featuring PINS, The Blinders, Rhythm Method, Witch Fever, Lady Bird, Sports Team + more to be announced

Tickets for all gigs